So, it’s time to take a peek at an artist we feel has gone without his due praise for just about long enough. As a DJ, producer and general bass music figure, Clean Shirt has established himself in both the dances and in the online communities, through providing technical and vibrant live sets and stepping up as a crucial moderator for the infamous Lengoland forum. It’s pretty undeniable that the young London based entity has played a pretty pivotal role in bass music’s assent to nightclub dominance across the country, being one of the go-to faces for quite some time.
However, since leaving the position at Lengoland, Clean Shirt has taken a considerable amount of time to take a look at the musical aspects of his career, deciding to dedicate a significantly enhanced amount of hours into defining and tweaking his sound, with the intent of putting together a lot more music in both the near and distant future. Previous releases include drops on Southpoint, Tumble Audio, In:Flux and more.
We were thrilled therefore to hear that Clean Shirt had made an impressive team up with the Kent based events and promotional imprint known as Low End, as they decide to get more involved with releasing music and launch the label section of their brand. Over the years, Low End have made themselves a serious force to be feared in the region, bringing down some of the biggest names across bass and D&B, including the likes of Holy Goof, Macky Gee, DJ Guv, Skepsis, Darkzy, DJQ, Royal T and more. Despite there being a relatively small bass event based infrastructure, the Low End team have gone on to convert the area into a certified hot spot.
They sent us over the EP to get stuck into and one track in particular caught our attention. The layout of ‘Lift Me Up’ is the definition of simple but effective, focusing as much on utilizing the space within a track as the densely populated areas of the composition. breathing some surprisingly agile rhythmic ideals into what would normally be quite a flat drum arrangement, an effect not achieved by many. We are greeted by exceptional bass synths come the break down, oscillating again, simply but effectively around catchy little riffs beneath crunchy drum designs. As a track, it’s one we can see sending many a dance into a frenzy.
Luckily for us, we have been given the real honor of premiering the track ourselves, as an exclusive early listen which you can get your teeth stuck into below:
The full project becomes available for streaming and purchasing on October the 26th, so be sure to check into the stores and grab your copy then!
It’s a very exciting time for UKG as a scene, with numerous different labels, both old school and new flourishing in a rapidly widening field of fortune. We are seeing some super impressive work from the likes of Four40, Slime, , Beastwang, Kiwi and a host of other names, giving the scene a real injection of vibrancy and fun, which is leading to more producers getting involved in the UK’s go-to summer sound.
The Brighton based label has always been seen as a forward thinking imprint, always looking to get involved with the next sound and be a part of what is new and vibrant within bass music. Their extensive roster has seen some top draw names pass through over the years, including the likes of Bushbaby, Skepsis, Darkly, Distinct, Freddie Martin, Zero and more.
What better way to kick off a monday than with an exclusive premiere eh?Today we are heading over to LA, one of the new leading lights in the American Bass scene, with a tonne of new and exciting artists emerging from the mist every day. We are absolutely loving the American influence on world bass music, with an influx of more techy influences and glitchy, poppy percussive additions making their way into more and more original creations.