We are working in an exciting time for bass music worldwide, as we see a tonne of UK producers slowly but surely move towards a more international style of 4×4 composition. It seems that this newer, more American influenced style of bass is the hot stuff to be found in the clubs, with artists such as Chris Lorenzo, Taiki Nulight and others leading the way in the UK.
One artist from across the ocean that we have been keeping a close eye on is BTW, a forward thinking 4×4 producer based out of Dallas who has been putting a major mark down across the international bass market. His unique, darkened approach to the bass sound has lead him to releases on largely respected label projects such as Punks, Maraki, Pack London and more.
We were very excited to grab him for a brand new edition of Charted, looking into his favourite tracks to spin right now!
Minesweepa – “Black McLaren” (Greed Remix)
I’ve been rinsing this one out quite a bit lately. This tune checks all of my boxes: Killer groove, crazy sound design, and overall impeccable production. It is definitely my favorite Greed track to date.
Hadean & Vellum – The Vibe
Definitely my favorite bassline tune that has come out recently. Vellum and Hadean are a match made in heaven. With Hadean and Vellum’s next level sound design, this tune absolutely slaps.
Dustycloud – Those Nights
Dustycloud has been crushing the G-House scene for a phat minute now, and this tune perfectly showcases his mastery of dark atmosphere with an insane groove.
Zander & Isenberg – Dusted
This tune is insane. Zander & Isenberg continually push house music boundaries with every turnaround and bass-line in this savage tune.
5. Masteria – My House
Masteria is a relatively new comer to the G-House scene, but I fell in love with his sound immediately. With dark hip hop influence melodies, and nasty bass-lines, this tune stands out as the new and improved staple sound for the G-House genre.
6. ALBZZY – ENDLESSLY
This tune has reinvigorated my love for DnB. Albzzy absolutely crushes the production on this tune, and his melodic vocal chops get everyone on the dance floor moving.
7. JUNK FOOD & M.E. SWANK – BUST DOWN
Junk Food & M.E. Swank light the dance floor on fire with this genre bending club breaks/trap tune. Both of these guys are producers that everyone should keep an eye on in the next year.
8. Clarity – Catch My Drift
Clarity is definitely one of my favorite UKG/House producers in the game right now. This tune is a guaranteed dance floor stomper that every DJ should have in their arsenal.
9. Left/Right, BodyBlow & Dread Mc – One/Two
Left/Right is a master of dark ambient breaks tunes, and with Dread MC’s unstoppable vocals, this track distinguishes itself as one of my favorite breaks tunes of 2019.
10. Khesis – Graphene
I like literally every aspect of this tune, which is really rare for me. Khesis’ whole EP on Broken Syndicate is next level, and is guaranteed to get me in my feels.
As we draw towards the close of 2019, one thing we can safely say is that it has been a fantastic year for dance music as a whole, across the whole world. We have seen multiple countries develop new, exciting scenes in bass music and beyond, alongside seeing the established orders continue to grow and advance, forever pushing the boundaries and barriers of sound forward. It’s an exciting time and in the future we truly believe that 2019 will be a year that the music historians will draw a lot of origins from.
We are back at it again here at threethousand.co.uk with another fantastic Friday premiere to really kick start your weekend with a bang. Today, we are taking a more specific look London’s own House of Bangers imprint, a label that has been consistently releasing top quality house music for a number of years, cementing there place as one of the most exciting dance music labels currently operating on mass from the streets of the capital.
As the year draws to a close, we can look back on what can safely call a successful 2019 for music based at 140BPM. From the high charting successes of a number of grime MC’s, to dubstep’s undeniable re-emergence, the 140 scene is for us, in the strongest place it has been in a really long time. We are thrilled to see it, and more so than ever we are seeing the lines blur between genres, with dubstep, grime, trap and drill all meshing together in what we now see as one big hybrid collection of high energy sounds.