The last year has been a seminal one for Anglo-Russian bass music. Many of Russia’s top talents have been thrust into view, leading to a
In the North West, a few miles from Liverpool and across the river Mersey sits the Wirral. A microcosm of haves and have nots, the
Arriving as the exciting new kid on the block a few years ago, Burt Cope captured the collective imaginations of bass music fans with his
Austerity and Covid: Double Trouble Coverage of Coronavirus, and our discussions of it, has become increasingly nebulous in nature as it’s become more comprehensive in
The Munich-based ‘Ruffhouse Industries’ lives up to its namesake. Whether it’s the label’s eclectic library of gritty cuts for the jaded urbanist, or their commitment
In recent years the UK bass music scene has been awash with excitement, with many of the scene’s major players exporting the sound to stages
When I first discovered my appreciation for Bassline, some years after I had decried the genre in favour of Progressive Metal, Math Rock, Hip Hop,
Whether it’s twisted 4×4 instrumentals or stomping vocal bangers, Palizé and K Dot’s seminal talents are impossible to ignore in discussions about the UK Bassline
The meteoric rise of UK Bass music in the last couple of years has been nothing short of spectacular. From initial mainstream popularity to obscurity
There is no denying that Grime’s popularity is at an all-time high. Recent years have seen the genre successfully exported around the world—a gulf apart
